Julio Le Parc LAByrinthus

The first idea was not to make a conventional museum, but rather a space of activation of the spectator, experimental, playful, interactive, immersive, evolutionary, close to the sensation felt in a real exhibition, where the visitor passes by various emotional locks. Calm and contemplation with geometric paintings, surprise and wonder with the works of light, agitation and excitement in the game rooms, reflection and introspection with the Modulations or the Alchemies. If he has played the game, the spectator leaves the exhibition, exhausted, sweaty, happy with the sensation of having lived an intense physical, emotional and cognitive experience, a real retinal and neuronal massage. Julio conceives his works as a whole, as an ensemble, as a succession of perceptive experiences that have an impact and coherence with each other. It was absolutely necessary to find this spirit of continuous research and globality, so important for Julio.